Along the way in my various scavenging of ancient film, I've picked up various boxes I can't use because I don't have a camera the right size. Here is a bunch of sheet film both smaller and larger than the 4x5 camera I have, so it's of no use to me. It's likely of no use to anyone given the age (1930's and 1940's mostly!) but hey maybe the boxes are quaint enough to keep around. I think all of them are unsealed, but most of them feel near full. I haven't opened any of them I have no idea what you'll find inside. It's a surprise!

I know what you'll probably find in one of them (see last pic) and would therefore be hesitant to actually mail that one. If you're anywhere even remotely in the Chicago area (like for instance that includes Indiana and Wisconsin) we can try to get together and hand these off in person. If I'm mailing them I don't think I should include that box.

Let's call it $5 for all of them, plus $7 shipping in the US. Outside the US we'll have to figure out the exact shipping. Handoff in the Chicago area just requires a $5 bill, obviously, no shipping charges.

Duncan

I've begun shooting some color again and have shot a few rolls of 120 Portra 400 and a roll today of Ektar 100. I know that the Portra films are excellent and always deliver stunning results. However, I have never used the new Ektar 100 before. From reading reviews on the internet it seems to be a "love, hate" film.

So what differences besides speed can I expect in Ektar 100 vs. Portra 160 or 400?